In the style of...

1. For this photo I choose to be inspired by Sølve Sundsbø using double exposure.

2. Sølve Sundsbø is a fashion photographer known for his creative style. He often uses digital effects, and movement to make his photos feel artistic and experimental. Sundsbø has worked with major fashion magazines and luxury brands, pushing the boundaries of traditional fashion photography. His work is a mix of photography, technology, and imagination to create bold visual stories.

3. What drew me to Sølve Sundsbø is how unique each photo feels. His use of light, movment, and colour turn them into something that feels alive. He makes each photo seem more of a story and not a photo.

4. His photography starts with a strong idea and combines traditional photography with digital manipluation, wile using light, movement, then he will polish everything up with technology.

5. In most of his photos lines, movment, colour, and shape are being used. His images show motion and strong lines that guide the viewer’s eye. The principles of design that stand out most are contrast, emphaisis, and balence, as he uses bold lighting and colour differences.

6. Yes, I think I did the style of Sølve Sundsbø justice. I brought together the belending of a human and a landscape, by her neckline being right on top a peak of mount Baker from merging reality and imgination. The connection between body and environment reflects his use of conceptual storytelling.

1. For this photo I was inspired by Toshiko Okanoue using Surrealist photography.

2. Toshiko Okanoue was a Japanese surrealist artist known for her photomontage collages made in the 1950s. She created dreamlike images by cutting and combining photographs to form unexpected scenes. Her work explores themes of identity, femininity, and social pressure on women.

3. What drew me to her surrealist photography is how it challenges reality and makes ordinary subjects feel dreamlike and unexpected. I love how it encourages creativity and allows you to feel more emotional and imaginative.

4.  Her process of surrealism photography usually begins with a concept or idea, and involves cutting and layering photographs from magazines to create surreal photo collages. She created them to feel unrealistic but emotionally powerful.

5. The elements of art are present in her work, which are shape, space, texture, and value, created through layered cut-outs. The strongest principles of design are contrast, emphasis, and unity, as she uses bold visual differences while keeping it balanced and visually connected.

6. Yes, I think I did the style of Okanoue justice from the unexpected placement which creates a sense of discomfort and curiosity. It shows I understand the surrealist idea of combining body parts in unnatural ways to communicate deeper meaning rather than realism.